#HDR EXPRESS 3 REVIEWS FULL#

Having to adapt a mirrorless camera without XLR inputs leads to a painful workflow. It’s functional, expands the usability of the camera and looks cool. Along with the XLR inputs, the camera either captures the stereo audio from its built-in mic or via its 35mm jack. Connecting via Sony’s multi-interface shoe and two thumbscrews, the handle is a quick connection. Along with the XLR inputs, the camera has a total of 4 tracks of audio, depending on what format it’s capturing in.

With a top frame rate of 240 frames per second (fps) in HD, it offers a fantastic 120fps in 4K. It has a top bit-rate of up to 600 Mbps in All-I XAVC S-I in 4K or 1200 Mbps when shooting in S&Q mode. Although it might only capture up to UHD 4K, it offers up to 10-bit 4:2:2 internal capture or up to 16-bit RAW externally. The Sony FX3 is flush with features, making the camera well-rounded. The biggest shared feature across the a7S II, FX3 and FX6 are that they all offer the same full-frame, back-illuminated 12.1MP Exmor R CMOS sensor with the BIONZ XR processor. Lastly, although it uses the same battery as the a7S III, it touts a longer battery life and has active cooling fans to keep the camera from overheating. The camera features a cage-free design of multiple ¼ 20 mounting points and you’ll never wonder if you are recording with its multiple Talley lights.

#HDR EXPRESS 3 REVIEWS FULL#

Connected to the handle are full audio controls and two XLR inputs.

The camera offers zoom control for use with a servo zoom or when using Sony’s digital zoom - clear zoom. If you are accustomed to using a rear screen for monitoring, it won’t be missed much. However, there are some notable differences.įirst off, the Sony FX3 doesn’t have an electronic viewfinder. Consider the FX3 as an a7S III with a handle. If you have ever shot a mirrorless or DSLR camera for video, the Sony FX3 is going to feel very familiar.

Hdr express 3 reviews